A Community Dwelling Machine
Sunday, June 29th, 2008In 1971, Buckminster Fuller and a team of architects began the design for a new city. The project was called Old Man River City. It was to be a single community dwelling machine for 125,000 humans. The following description in Fuller’s own words is excerpted from the book Critical Path published in 1981:
Old Man River’s City, undertaken for East St. Louis, Illinois, I originally came to East St. Louis to discuss the design and
takes its name from the song first sung by Paul Robeson fifty years
ago, which dramatized the life of Afro-American blacks who lived along
the south-of-St. Louis banks of the Mississippi River in the days of
heavy north-south river traffic in cotton. Cessation of the traffic
occurred when the east-west railway network outperformed the
north-south Mississippi, Mexican Gulf, and Atlantic water routes, which
left many of its riverbank communities, such as East St. Louis,
marooned in economic dead spots. East St. Louis is an American city
overwhelmed by poverty. Its population of 70,000 is 70 percent black.
possible realization of the Old Man River’s City, having been asked to
do so by East St. Louis community leaders themselves, being first
approached by my friend Katherine Dunham, the famous black dancer. At
the community leaders’ request I presented a design that would help
solve their problem. It is moon-crater-shaped: the crater’s truncated
cone top opening is a halfmile in diameter, rim-to-rim, while the
truncated mountain itself is a mile in diameter at its base ring.
each consist of fifty terraces-the terrace floors are tiered vertically
ten feet above or below one another. All the inwardly, downwardly
sloping sides of the moon crater’s terraced cone are used for communal
life; its outward-sloping, tree-planted terraces are entirely for
private life dwelling.
Fuller’s mission was to: “To make the world work in the shortest possible time through spontaneous cooperation without ecological offense or the disadvantage of anyone.” (06/29/08)
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In 2002, Dean Robertson
